"2 Marilyn Monroe Books" Summary |
Item#: 98866 |
|
|
|
| Trader: |
bellacarm (0) |
| Wants To: |
provide
this item
|
| Location: |
Australia (Glenmore Park, NSW)
see map
|
|
|
|
|
"2 Marilyn Monroe Books" Description
Marilyn Monrow by Barbara Leaming (Brand New)
This extraordinarily thoughtful book by Barbara Leaming, a literary star among movie-star biographers, offers the last thing you'd expect in a book on Marilyn Monroe: new information from verifiable sources. Sure, lots of the tragedy is familiar: an abused, confused girl from an orphanage with a mother in a madhouse rises from sexual party favor for homely showbiz men to the movie superstar who pushes them around, until she crashes, a victim of self-loathing and drug addiction.
The thing about a tragedy is that its heroine isn't a victim--she's responsible for her fate. Leaming does scholarly spadework, digging up hard facts from sources like UCLA's 20th Century Fox collection and the diary-like first drafts of Arthur Miller's semiautobiographical work, and she makes sense of Monroe's motives. She even apparently solves Monroe's suicide with clues from the star's psychiatrist's letters in the Anna Freud collection. Her last overdose may have happened just because her shrink went to dinner with his wife and she felt abandoned.
But until pills killed her, Monroe wasn't a candle in the wind. She burned with ambition and knew how to craft a persona and play power games--with moguls and with the commie-busters hounding her husband Miller. Leaming plausibly analyzes the Miller-Monroe-Elia Kazan love/hate triangle, sizes up the Kennedy connection, busts her acting coach Lee Strasberg as "chillingly mercenary," and deftly shows just how her life entangled her art, film by film.
This book has a woman's touch: it's a work of sharp intellect and emotional insight unclouded by lust or star worship.
PAPERBACK
****************
Marilyn by Gloria Steinem
This latest in the flood of books about Marilyn Monroe comes from feminist-journalist Steinem. Steinem admits that as a teenager she walked out on the movie Gentlemen Prefer Blondes because she was embarrassed at Monroe's performance/persona. Now admiring of her subject, Steinem spends little time on Monroe's films but instead concentrates on her personality, believing it, along with her appearance, to be responsible for her status as a cultural icon. Occasionally Steinem's prose is too purple, but for the most part the book serves well as an even-handed introduction to the Monroe phenomenon. Barris's numerous photographs are attractive but somewhat repetitious, as they apparently were taken at just a few sessions. PAPERBACK
del.icio.us
